Best Friend Essay Example Less Words in Mens World

Less Words in Men’s World In all societies despite sex, race, gender, or religious tradition it’s common thing to hear that men and women are creatures of very different kinds. Women often struggle to interpret men’s behavior, and in their turn, men fail to understand what’s going on in ladies’ heads. Finally, both agree: men and women are from different planets. According to Roger Rosenblatt (1998), a thing that differs men from women is the way they build social relations (man with other men, woman with other women). In essay â€Å"The Silent Friendship of Men† Rosenblatt states that men don’t make too much talking, and I tend to agree. Men by nature are less verbal than women. Firstly, it’s noticeable when watching men speaking about things, describing events. Men mostly value actions, notions while women love the details and are common to go in deep descriptions. Thus, from the first sight it seems men are less capable of feelings, but Rosenblatt (1998) argues that it’s not true. Simply for men those experienced feelings â€Å"remain submerged, and the airing of them violates their authenticity† (Rosenblatt, 1998). On the contrary, it seems for women everything only gets clearer when it’s verbalized. Therefore, men and women spent time with same sex friends differently. Rosenblatt (1998) brings example of two men, romantic poets Wordsworth and Coleridge, who once spend a three hours long evening together without saying a word, both enjoying silence very much. Of course men aren’t absolutely silent, but even nowadays when comparing men’s meetings with women’s ones, men rather meet to do some business (to watch basketball, or for fishing, or playing chess etc.) while women go shopping which naturally implies discussion of cloth, or women may specifically meet at cafes for chatting. Additionally, women need verbal communication more regularly than men. They are women who’re complaining why a friend, or a relative hasn’t called for a long of time, and no chance that man will complain about rare communication. Rosenblatt (1998) brings own example, â€Å"There are a dozen guys whom I count as friends and who do the same with me, yet months pass without our speaking†. Women can’t stand a long silence in relations, and if there’s not enough talking women may thing something is wrong, or friend’s hiding a secret. Rosenblatt (1998) refers men’s natural silence to the fact that somehow men are more comfortable with being alone in comparison to women. Either it’s a natural state of affairs, or men were somehow programed on this, now silence is the way men are comfortable to be (Rosenblatt, 1998). It explains why men are okay with lack of talking while women seek for a verbal communication when friends are far away. And even if a friend lives in the neighborhood, they are women who can hang on the phone talking for hours, sublimating real meetings. Whatever the true reason is, it seems men and women are again on opposite sides of barricades when it comes to talking. If really men and women were living on different planets, there’d be a planet of unbearable silence and a planet of unbearable noise. Women prefer verbalizing and highly detailed descriptions, often even gathering together specifically for a good long chat while men are more comfortable when silent. They chose more silent ways of spending time with same sex friends and generally, are okay with being alone. In their turn, women suffer when lacking of verbal communication and go for it more often. Reference Rosenblatt, Roger. (1998, Dec. 07). The Silent Friendship of Men. Time. Retrieved from We Will Proofread Your Paper in No Time! Thousands of students have benefited from our college essay proofreading service. Once, there were also like you; a new customer. All it took them was one time of trying, and they became our loyal customers. Waiting is wasting, hurry up and order now.

5 Tips About Writing with Rhythm

5 Tips About Writing with Rhythm 5 Tips About Writing with Rhythm 5 Tips About Writing with Rhythm By Mark Nichol Think of all the things you do each day, including mundane tasks like getting dressed, cooking meals, and speaking to other people. They all involve patterns or random sequences of ebb and flow: rhythm. Writing is like that, too. Just as with any other activity, rhythm in writing can occur automatically, but it’s improved by conscious attention. Here are five tips for enhancing your writing by attending to rhythm. 1. Alternate Sentence Length Vary the word count for your sentences not mathematically, not analytically, but naturally, organically. Introduce a comical character with a statement that resembles a clumsy person stumbling down a stairway then bring the headlong descent to a sudden stop with a concise comment. Describe a tortuous bureaucratic procedure with a run-on-and-on sentence, and then figuratively snap your fingers at it with a brusque reaction. For inspiration, listen to a musical composition, noting the variety of measures. Do the same with recordings of speeches or comedy routines, and with scenes from films or television programs (fact and fiction alike) and, of course, with fiction and nonfiction writing. 2. Relocate Words and Phrases English is a flexible language. Exploit that fact. Though parts of speech have set interrelationships, the relative positions of words representing the categories are negotiable. Shift words and phrases around until the parts of a sentence seem to fall into their preordained places. How? Read your writing aloud, of course. Note, too, that writers are inclined to introduce the most important element of a sentence at the beginning; the key component should be provided early on, right? Wrong. Where does the punchline go in a joke? Correction: When you tell a joke, where’s the punchline? (Doesn’t that revision read more smoothly?) 3. Embrace Sentence Fragments The law against incomplete sentences was repealed a long time ago. A very long time ago. As a matter of fact, there never was such a regulation, except in the hidebound handbooks of grim grammarians. No kidding. People speak in sentence fragments and incomplete sentences all the time, and although writing, except for the most informal prose, should reflect a more carefully constructed communication, in all but the most formal writing, judiciously employ truncated statements. Over and out. 4. Match Rhythm to Mood Let the length and rhythm of a sentence match the mood you wish to impart. A description of a beautiful landscape or an account of a rapturous experience should cascade like a rippling waterfall or undulate with the peaks of valleys of sensual imagery. Longer sentences punctuated with alliteration and assonance and laced with metaphors evoking physical sensations will help readers immerse themselves in the places and events you describe. Conversely, the sentence structure describing a sequence of events in a thriller or a passage detailing an exciting incident is probably most effective in brief bursts of short, simple words. 5. Apply Tension and Release Many musical compositions are paced on the principle of building up to peaks of stress or emotion and a counterpointing relief from that ascent. Writing benefits from the same approach to carrying the reader along on waves of tension and release. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Fiction Writing category, check our popular posts, or choose a related post below:100 Exquisite AdjectivesGrammar Quiz #21: Restrictive and Nonrestrictive Clauses20 Classic Novels You Can Read in One Sitting